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Hello all,
I have just purchased two systems both L2's and both with the Tone Match units. I will be using them is several different settings as I am a full time musician involved in a wide variety of musical expressions including a choir, a trio, a duo, a five piece rock band, and a 17 peice big band. It is this last band (the 17 peice) that I want some help with. This band consists of a horn section a percussion section, keys, 2 gats, and up to 6 voalists. Needless to say when we perform we have a large professional PA and sound person, but when we are practicing we only ever mic the vox and perhaps the horns and it is that situation that I am wanting to use my L2's. To do this I have set up the L2's in two corners of our practice room. The room is about 8 meters acroos so the speakers stand about 7 meters apart. Now because of the lack of inputs on 1 Tone Match unit I am using both units so that every vocal has its own channel. The complication however is I am wanting all the vocalists come out of both systems. Now I realise I can probably do that by patching the two Tone Matches together via the master or aux out but that doesnt give me any ability to pan. So I guess my question is, is there any way of doing what I am trying to achieve and also have some stereo capibility? If all we only do the things that we have always done, we will only ever get the results that we have always got. |
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Hi, birdstuckinchimney! Welcome to your first post.
If you set up each mic channel to also send to the AUX output, then cross-connect the AUX output to a spare input (e.g. 4 or 5) on the other T1, you can sort of do what you want ... but it's not going to be real simple to "pan" on the fly because you have to independently balance the amount sent to the "local" Master output vs. the settings for the Aux output and the other T1's input channel. In other words, it seems to be 'do-able', but not real simple to adjust. However, if all you really want to do is to control the amount of "bleed-over" from one L1 to the other, then this setup would not be too bad, because that "remote input" channel (e.g.: 4/5 channel) gives you overall control of the amount of "bleed". Just do NOT enable sending that 4/5 (a.k.a. 'remote input') to go out the AUX back to the first T1! You'll be setting up a feedback loop! |
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