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hello my friend´s!
Can i help me? This sunday,I organize this concert. Artist: 1 cuban singer (Salsa, Merenge) wireless mic. 4 Brazilian musicians ( Bossanova)three voices, three percussion, a guitar by line 3 Argentine musicians ( tango , folkore)2 voices, 2 guitars, 1 percussion. Equipament: 2 L1 mod 1 2 l1 mod. 2 (thanks bose Spain, GAPLASA) 11 B1 and 2 packlite (thanks bose Spain, Oscar at Bose and David) microphonetics: SM 58 and condensador mic´s for instruments. AT and AKG. Mixer: Crest Audio 12 cannels scene and platform: 8 mts. length for 4 mts. width disposition of L1: 2 l1 mod 1 and 2B1 for l1 , for mixer aux.To the back of the stage, in each corner. 2 L1 mod.2 and 4b1 for l1, for mixer master for PA. in front of the scene, in each frontal corner. the poster of the celebration ![]() |
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Publico asistente.
Entre 300 y 800 personas Gracias BOSE España por creer en esta idea y ayudarme. Tambien: Asado Argentino. Castillo hinchable gratuito Mojito Clases de Salsa Bye |
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Hi chema dj,
This sounds like a big event, and fun too. Is it outdoors? Please try The Sketcher to show us how you will set the stage. Do you have rough dimensions of the space - I am particularly interested in knowing - outdoors? - rectangle shape? - where is the stage in this space? |
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hello St
yes it is outdoors 40mts. width x 30mts length the scene to go in the wall of the drawings ![]() |
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Hi chema dj,
Thanks for using The Sketcher! Here is your Sketch. -- click image to make changes to the live version -- Legend: L1® Model I/Classic L1® Model II Orange numbers are Systems and Inputs using those Systems. Blue ringed numbers are Channel connections to/from the Classic and Model I Systems. Green numbers are for general notes about the Sketch and connections to non-Bose gear.
I will be back with some ideas soon. This message has been edited. Last edited by: ST, |
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Hi chema dj,
I think I understand what you are doing with
I think that you might do at least as well, and probably better if you put all the L1®s behind the performers, and move the performers forward (down stage). This will put them at least 3 metres away from the L1®s. This is lots of distance and you can get lots volume (gain before feedback). I tried to figure out what mixer you have (Crown Audio 12 Channel) (what model do you have). I went to Crown Audio documents and looked at some of their mixing consoles. Everything I saw there had multiple busses. So you might be able control each L1® separately. If you can't then I would use the Remotes and the T1®s. I would run each performer through only one L1®. No stereo, no panning. Also - I would put the Model IIs in the middle so that all of the performers will hear the wide dispersion. If you do decide to put two behind and two in front, then I would put the Model IIs behind. -- click image to make changes to the live version -- Legend: L1® Model I/Classic L1® Model II T1 ToneMatch® audio engine Orange numbers are Systems and Inputs using those Systems. Blue ringed numbers are Channel connections to/from the Classic and Model I Systems. Blue filled numbers are Channel connections to/from the T1 ToneMatch™ audio engine. Green numbers are for general notes about the Sketch and connections to non-Bose gear.Quoting chema dj from The Sketcher
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thanks ST
I try puy L1 behind to musicans. if not possible, I to follow its recommendation. |
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for you ST
thanks! ![]() |
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Thanks BOSE Spain (Oscar and David)
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Gracias a todos los artista y amigos que me ayudaron a hacer realidad este proyecto.
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¿Que cuanta gente...?
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Grupo Brazil ( Pura Magia )
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La despedida. Todos juntos!
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