Hi herge,

Thanks for using The Sketcher! Here is your Sketch.



-- click image to make changes to the live version --

Legend:
L1® Model II
T1 ToneMatch® audio engine
Orange numbers are Systems and Inputs using those Systems.
Blue filled numbers are Channel connections to/from the T1 ToneMatch™ audio engine.
Green numbers are for general notes about the Sketch and connections to non-Bose gear.

There were no notes with this Sketch.

Hi again,

It looks like you have a plan. Is this something you are doing now?

How does it sound?

Is there anything we can do to help?

Please tell us more about your music:

• What kind(s) of music you play?
  
• Where you do it (size, type of venue)?
  
• Who is there (audience) - how many, what are they doing while you are performing?
  
• Do you have a web site?
  
• If no web site, could you post a picture of your ensemble?
  

Thank you.

Hi
We play ceilidh dance music mostly at weddings - 80 - 200 people. our website is www.hastetothewedding.com - we have had the system on trial and will buy if we can sort out the on stage volume - our caller uses a headset mic and is out front in the hall - to allow him to be heard above those chatting at the bar (esential to grab thier attention to get them on the floor dancing)the volume is high and is uncomfortable level for those on stage - can we move the L1 forward to the satge edge?

Hi Herge,

Yes, you can definitely try moving the L1® to the forward edge of the stage.

Just curious, are you Colin, Pete, Leslie, Ciaran or James?

I may have missed it, but I couldn't find any pictures of you performing (on your website).

Do you typically play with all of you in a horizontal line as you showed us in your Sketch?

If so might consider keeping the L1® in middle and moving it forward. That is; you don't necessarily have to move it to one side or the other. Visually, it's pretty subtle and if you keep it in the middle you will probably have better monitoring for everyone.

Hi
I'm Pete
you can see us performing at http://www.hastetothewedding.com/id5.htm
The banjo player is also our caller and is mostly out front with the dancers. Will try it again, as I said we were really impressed, but dont want to have to waer earplugs

Hi Pete,

I see you now.



I would definitely try putting the Model II in line or even a little in front of you between the Accordion and you on Guitar.

You won't hear the upper ranges quite as clearly if you are behind the Cylindrical Radiator® but it is workable for monitoring (at least it has on occasion been workable for me).

We put the accordion, fiddle and guitar through the tone match - the last input we put the head mic, other guitar, ipod & drum via a mixer. Is there a connecting system that would allow 2 tone matchs to be linked and used through the same L1?

Hi Pete,

You certainly can run two T1®s into a single Model II.

Connecting Two T1®s to a Model II

We have detailed notes about this in the wiki.

Connect Two T1 ToneMatch® Audio Engines to a Model II

-= Click the picture for detailed notes =-

Hi Pete,

Thanks for using The Sketcher! Here is your latest Sketch


-- click image to make changes to the live version --

Legend:
L1® Model II
T1 ToneMatch® audio engine
Orange numbers are Systems and Inputs using those Systems.
Blue filled numbers are Channel connections to/from the T1 ToneMatch™ audio engine.
Green numbers are for general notes about the Sketch and connections to non-Bose gear.

I just added in the Banjo and headset microphone.


-- click image to make changes to the live version --

Legend:
L1® Model II
T1 ToneMatch® audio engine
Orange numbers are Systems and Inputs using those Systems.
Blue filled numbers are Channel connections to/from the T1 ToneMatch™ audio engine.
Green numbers are for general notes about the Sketch and connections to non-Bose gear.

Hi
We now have 2 tone match devices and have done away with our mixer desk. Still not found optimum location for L1 - have tried centre front - centre side and rear. Will try rear with ear plugs next. Getting some feedback on accordion pick up when bass unit is too close, so move it off to the side a bit. Getting there.