L1® Model II

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All,

New setup for a church room. (former Gym)
Room is 80' long, and 40' wide... with not good accoustics.

Others are insisting on the mixer, so I'll run everything through it (likely a Yamaha LS9-16 or something).

Question... will this provide enough volume?

Thanks,

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4 vocalists, playing acoustic guitar, piano, cello, and bass respectively, plus synth, drums, electric guitar. How many L1's should we use and how should we arrange them? Cello will have to be miked. Also, if we go to electronic drums, would that require another L1? I'd like to get by with two towers, each with 2 bass bins if possible.

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4 vocalists, playing acoustic guitar, piano, cello, and bass respectively, plus synth, drums, electric guitar. How many L1's should we use and how should we arrange them? Cello will have to be miked. Also, if we go to electronic drums, would that require another L1? I'd like to get by with two towers, each with 2 bass bins if possible.

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4 vocalists, playing acoustic guitar, piano, cello, and bass respectively, plus synth, drums, electric guitar. How many L1's should we use and how should we arrange them? Cello will have to be miked. Also, if we go to electronic drums, would that require another L1? I'd like to get by with two towers, each with 2 bass bins if possible.

quote:

4 vocalists, playing acoustic guitar, piano, cello, and bass respectively, plus synth, drums, electric guitar. How many L1's should we use and how should we arrange them? Cello will have to be miked. Also, if we go to electronic drums, would that require another L1? I'd like to get by with two towers, each with 2 bass bins if possible.

quote:

4 vocalists, playing acoustic guitar, piano, cello, and bass respectively, plus synth, drums, electric guitar. How many L1's should we use and how should we arrange them? Cello will have to be miked. Also, if we go to electronic drums, would that require another L1? I'd like to get by with two towers, each with 2 bass bins if possible.

L1® Model II

T1 ToneMatch® audio engine

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Memphis Jesse & The Soul Hoosiers @ The Cafe, Jan 29

L1 #2 used as FOH - My First Attempt at this.

All vocals in T1 #2 will run Aux Out to T1 #1/ch4 (or analog input) for monitoring.
*might* run sax Aux out of T1 #1 into T1 #2 (or analog input) if needed.
How sweet to be able to do this...easily.

Very, very tight stage, 2' elevation.

-----> ST! <----what would you recommend for the monitoring idea:
Using T1 inputs or Power Stand Analog inputs?
I'm thinking the Analogs would be cleaner, less cable clutter.
What say you?

L1® Model I

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PARADYCE BAND

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- (1), (2), (3), (4) Are foldback monitors.
- There will be more width on the actual stage. The placement looks crampt because the program did not allow for the stage dimensions to be increased or the graphic sizes to be altered.

L1® Model II

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Want to use L1 as monitor

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Blues rock band
Thinking fo purchacing two L1 model 2`s with two tonematches and two extra B1 bass moduals
hoping this will be enough for this layout playing in small to medium venues
Drummer alternates between acoustic and electric depending on the venue
Band also plays as a three piece consisting of acoustic guitar and vocals bass guitar and drums acoustic
or electric

Currently useing two powered makie speakers for FOH and a eight channel makie mixing desk

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Blues rock band
Thinking fo purchacing two L1 model 2`s with two tonematches and two extra B1 bass moduals
hoping this will be enough for this layout playing in small to medium venues
Drummer alternates between acoustic and electric depending on the venue
Band also plays as a three piece consisting of acoustic guitar and vocals bass guitar and drums acoustic
or electric

Currently useing two powered makie speakers for FOH and a eight channel makie mixing desk

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Additional Notes/Thoughts
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Upper and "kick" soundhole mic for cajon
Upright Bass is DI with low volume stage amp
Front 3 stations need instrument mics for "fill", particularly banjo (DI is only average tonally)
Center instrument is primarily washboard, won't need much gain
Harmonica station is part time, he has his own green bullet
Violin on stage rt. is part time
Electric amp on stage right is 5 watt tube amp. May or may not need mic.

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SCRIBBLIN' JONES Stage Plot
Thoughts / Notes
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STATION 1 - Guarav - Cajon / Conga
Upper movable boom mic for both and "kick" soundhole mic for cajon

STATION 2 - Dave - Upright Bass
DI with low volume stage amp - infrequently used vocal mic

STATION 3 - Cameron - Vocal / Ac. Guitar / Mando - audience Left
Vocal mic , 2 DIs, guitar and mando.
Supplemental instrument mic for fill/realism

STATION 4 - Sarah - Center Vocal / Percussion
Instrument mic is for Washboard. It won't need much!

STATION 5 - Jimmy - Vocal / Ac. Guitar / Banjitar / Archtop Guitar
Ac. Guitar needs DI.
Archtop uses 5 watt tube amp which may or may not need mic.
Instrument mic in front to supplement acoustic/archtop,
but primarily for realism on banjitar (DI is only average tonally)
Mostly finger/claw style so not as loud as typical banjo

STATION 6 Adam - Harmonica
station is part time, he has his own green bullet and can fit almost anywhere.
Bullet has 1/4" output so may need active DI

STATION 7 Ben - Violin
Also part time, can fit in small space.

Call me w/Questions - Jimmy 770-845-7205