L1® Model I

L1® Model II

T1 ToneMatch® audio engine

quote:

Wondering if this would work for a trio in a setting where things need to be loud.
I'm thinking of using our L1M1 as a monitor and to handle the bass; two L1M2s at the sides to handle everything else.

Basically, put two L1M2s on the sides, at high volume. Left handles mandolin (1) and vocal mics 2 & 3. Right handles guitar (7) and vocal mic 6. Bass uses her own amp, boosted by direct line out to center L1M1. Master (or aux) outs from the left and right T1s feed the line inputs of the L1M1.

Would this result in phase cancellation or other problems? We've been using the 1-L1-per-musician approach, but are trying to avoid feedback and too-loud-on-stage problems in some high volume/shallow stage settings.

L1® Model II

T1 ToneMatch® audio engine

quote:

ST Edits: Added four L1®s

L1® Model I

L1® Model II

T1 ToneMatch® audio engine

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This sunday,I organize this concert.
Stage 8 x 4 mts
Artist:
1 cuban singer (Salsa, Merenge) wireless mic.
4 Brazilian musicians ( Bossanova)three voices, three percussion, a guitar by line
3 Argentine musicians ( tango , folkore)2 voices, 2 guitars, 1 percussion.

Equipament:

2 L1 mod 1
2 l1 mod. 2 (thanks bose Spain, GAPLASA)
11 B1 and 2 packlite (thanks bose Spain, Oscar at Bose and David)
microphonetics: SM 58 and condensador mic´s
for instruments. AT and AKG.
Mixer: Crest Audio 12 cannels

scene and platform:
8 mts. length for 4 mts. width

disposition of L1:

2 l1 mod 1 and 2B1 for l1 , for mixer aux.To the back of the stage, in each corner.
2 L1 mod.2 and 4b1 for l1, for mixer master for PA. in front of the scene, in each frontal corner.

L1® Model I

L1® Model II

T1 ToneMatch® audio engine

quote:

ST Edit: back to basics with L1®s behind.
Wondering if this would work for a trio in a setting where things need to be loud.
I'm thinking of using our L1M1 as a monitor and to handle the bass; two L1M2s at the sides to handle everything else.

Basically, put two L1M2s on the sides, at high volume. Left handles mandolin (1) and vocal mics 2 & 3. Right handles guitar (7) and vocal mic 6. Bass uses her own amp, boosted by direct line out to center L1M1. Master (or aux) outs from the left and right T1s feed the line inputs of the L1M1.

Would this result in phase cancellation or other problems? We've been using the 1-L1-per-musician approach, but are trying to avoid feedback and too-loud-on-stage problems in some high volume/shallow stage settings.

L1® Model I

L1® Model II

quote:

Model IIs for rear monitors. Better dispersion for performers.

L1® Model II

T1 ToneMatch® audio engine

quote:

I want to determine how many L1 systems, model 2, we will need for my band., and how to configure the system

We want to use the system instead of a PA and stage monitors.

We want to input the keyboard, 5 or 6 vocal mikes and 3 mikes for the horn section.

We would like to configure it so that all of the inputs are heard through all of the L1 systems.

The guitars will just play through their amps. The drums may need to be miked and mixed through a separate board.

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ST Edits: added green numbers to facilitate questions

L1® Model I

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1- direct out from acoutic bass amp
2- using an SM 57 on mandolin
3- direct in from guitar through preamp into PS 1
4- direct in using fishman preamp
5- multi intrumentalist will switch from guitar to banjo or dobro
6- we are traveling for a gig and the venue has 4 PS 1 with bass modules. We have little experience (although we have used a single PS 1 fed in addition to a standard FOH pa head and speakers) with the PS 1. Can we use our condenser mics w/o feedback? The 3 we use are a Shure BG 5, KSM 27 and KSM 44.

We do have an 8 channel yamaha amp that has 2 main output 1/4" jacks. Could we plug into that with our gear and mics and send the main line output to 2 or all 4 of the ps 1 towers?

Thanks for the advice!

L1® Model I

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Instruments 1,2,3,4 &5, all run to the mixer behind the drum kit. It is submixed into a stereo pair an sent out to a pair of L1's with 2 B1 a piece. Simple.

L1® Model II

quote:

I want to use the bose system as a PA. All five mics plus the keyboard and acoustic guitar will be put through a kixer and then out to the two L-1's.
Is this a good setup? Do I need a mixer or can I just run some mic into one and some mics into another? My mind is still stuck on a conventional PA set up with a mixer sending the same signal to each side for balance. Perhaps I don't need to send the same signal to each unit since the system spreads out the sound so well. What suggestions do you have? I want to get away from the conventional heavy, bulky PA system.

L1® Model II

T1 ToneMatch® audio engine

quote:

Notes from YazSamat
The drums have a bass drum mic and 2 additional mics. when clubbing. For weddings only a mic on the bass drum. Number 2 is my electric guitar & pedals, acoustic guitar through the PA and my vocal mic.

I'm hoping that someone can help me if this system is right for my band and how do I configure it? I'm new to the forum, so hear goes. I have a 5 piece wedding/ club band (Female vocals, Keyboard/ sax, Bass/ Vocals, Guitar/ Vocals, Drums/ Vocals.) Our venue size is approx 200 people. We play NY & NJ. We're looking at PA systems. Tired of Cerwin Vega 61 pounders, heavy racks, & monitors. Our drummer is loud. How many L1's do I need? Can I use a 12 channel mixer to 2 L1's and get a good sound? How do I configure the system? Please help. Our current set up is:

5 Vocal mic's
Keyboard goes through the PA
Acoustic Guitar (Ovation) into PA
Bass into a 500w Peavy Amp
Guitar into a Mesa Boogie MarkIIb combo
Sax into PA Mic
Drums (DW) acoustic

We want to keep the bass amp and mesa boogie. Will the system cut it? Thanks, Yaz

System 1: Yaz Vocal and Guitars

• Channel 1: Vocal Microphone
  
• Channel 2: Microphone on Boogie Mark II
  
• Channel 3: Ovation Guitar
  

System 2: Vocals and Drums

• Channel 1: Vocal Microphone
  
• Channel 2: Vocal Microphone
  
• Channel 3: Kick Drum
  
• Channel 4: Mini Mixer with overhead microphones (optional)
  

System 3: Vocal and Bass

• Channel 1: Vocal Microphone
  
• Channel 2: Bass (microphone on Peavey Combo)
  

System 4: Vocal, Keyboard, Saxophone

• Channel 1: Vocal Microphone
  
• Channel 2: Saxophone Microphone
  
• Channel 4: Keyboard
  

L1® Model II

T1 ToneMatch® audio engine

quote:

ST Edits: took out extra microphones, T1s and L1®s

Can you help me with setup ?

My band have five musicians and we play weddings !
We bought 5 L1 systems and 7 woofers and 5 T1 !

Can you help us set up our new system ?
We have on default 200 people per wedding !

Left keyboardist is Lead Vocal and other musicians are back vocals !

L1® Model II

T1 ToneMatch® audio engine

quote:

ST Edits: took out extra microphones, T1s and L1®s

Can you help me with setup ?

My band have five musicians and we play weddings !
We bought 5 L1 systems and 7 woofers and 5 T1 !

Can you help us set up our new system ?
We have on default 200 people per wedding !

Left keyboardist is Lead Vocal and other musicians are back vocals !
My question is: If left keyboardist lead vocal - should his L1 be in the middle of the band? (vocal in center?)

Our equipment:
Mics:
Shure Beta 58a - 3x
Shure Beta 87a - 2x

Guitar - Fender Stratocaster + Line6 X3
Bass guitar - Worvick thumb bass
Drums - Roland V-drum + TD 12
Keys - Korg Pa2xpro, Korg Triton Extreme,
Korg Triton TR, Yamaha Tyros 2

We play pop, rock, country, polka and wedding songs like ballads !
We are from Croatia.
Yes, we have web site: www.oaza-band.com

In this moment, in our country - Croatia, we are only wedding band who have full Bose system and who play wedding with large Bose systems ! In the near future, I will send you our promotional video clips and we will promote Bose systems in our country !

We bought Bose systems L1 because Bose is fantastic equipment and we want to provide our audience and our clients as possible as better sound and quality our music.

Bose is the best !

Best regards !

P.S.
I tried registered my Bose on your site but I could not because in your fill form didn't my country - Croatia ! What should I do?