L1® Model II

T1 ToneMatch® audio engine

quote:

We currently are renting the above Bose system and are looking at using our 16x4 yamaha (non-powered) mixer to allow extra mikes to facilitate micing the drums, amps, and possibly a keyboard in the future... However my question is seeing that the Analog input on the L1 takes a TRS cable, will I be able to just come out of my mixer's 1/4" main outs using 2-TRS cables and plug into the two Analog input on each of the L1's and as well use the tonematch for the four vocals??

Does the above layout of the L1's seem like they would create a good dispersal of sound for everyone

quote:

Cannot get vocals out of both L1 units.
Our unpowered mixer takes all guitars and drums.
Vocals all go into ToneMatch.

quote:

Can you please help me with setting up channels.
Do you have any suggestions about which channel I should plug everything into.

L1® Model I

T1 ToneMatch® audio engine

quote:

Can you please help me with setting up channels.
Do you have any suggestions about which channel I should plug everything into.

L1® Model I

T1 ToneMatch® audio engine

quote:

Can you please help me with setting up channels.
Do you have any suggestions about which channel I should plug everything into.

L1® Model I

T1 ToneMatch® audio engine

quote:

Can you please help me with setting up channels.
Do you have any suggestions about which channel I should plug everything into.

quote:

This is a setup for Worship in a slightly irregularly shaped sanctuary. Team configuration is a bit different from week to week.

Generally, we are #1.) one guitar/vocal (Variax w/PODXT Live), #2.) one vocal only, #3.) bass(sometime Variax 700, sometimes regular magnetic pickup bass), #4.)drums (Alesis DM4 with HH mic and 2 overheads), #5.) electronic piano (YDP223) and keyboard (Korg N264)

BEYOND THAT, we may have #6.) an extra vocal or #7.) an extra guitar (usually acoustic through direct box)

We are looking for the right system, not the cheapest route - better put, the cheapest system that's right for our setup.

My original thought regarding a system such as this was:
PS1 w/Bass module for keyboard/acoustic guitar AND the lone vocal - shared (mixer needed?)
Ps1w/Bass module for Variax Guitar/Vocal
PS1 w/Bass module for Drums (mixer needed?)

I would think it would be best to have the Bass guitar running through one, too?
Should the drummer have a double Bass module?
Does the guitar #1 NEED a bass module?
Should the vocalist #2 have her own system since she is leading when she's there?

From what I understand, there would be no need for additional monitoring on stage, correct?

Now that I've shared MY thoughts, what is YOUR PROFESSIONAL opinion?

L1® Model I

quote:

This is a setup for Worship in a slightly irregularly shaped sanctuary. Team configuration is a bit different from week to week.

Generally, we are
one guitar/vocal (Variax w/PODXT Live),
one vocal only,
bass(sometime Variax 700, sometimes regular magnetic pickup bass),
drums (Alesis DM4 with HH mic and 2 overheads),
electronic piano (YDP223) and keyboard (Korg N264)

BEYOND THAT, we may have
an extra vocal or
an extra guitar (usually acoustic through direct box)

We are looking for the right system, not the cheapest route - better put, the cheapest system that's right for our setup.

My original thought regarding a system such as this was:
PS1 w/Bass module for keyboard/acoustic guitar AND the lone vocal - shared (mixer needed?)
PS1 w/Bass module for Variax Guitar/Vocal
PS1 w/Bass module for Drums (mixer needed?)

I would think it would be best to have the Bass guitar running through one, too?
Should the drummer have a double Bass module?
Does the guitar #1 NEED a bass module?
Should the vocalist #2 have her own system since she is leading when she's there?

From what I understand, there would be no need for additional monitoring on stage, correct?

Now that I've shared MY thoughts, what is YOUR PROFESSIONAL opinion?

L1® Model I

T1 ToneMatch® audio engine

quote:

This is a setup for Worship in a slightly irregularly shaped sanctuary. Team configuration is a bit different from week to week.

Generally, we are
one guitar/vocal (Variax w/PODXT Live),
one vocal only,
bass(sometime Variax 700, sometimes regular magnetic pickup bass),
drums (Alesis DM4 with HH mic and 2 overheads),
electronic piano (YDP223) and keyboard (Korg N264)

BEYOND THAT, we may have
an extra vocal or
an extra guitar (usually acoustic through direct box)

We are looking for the right system, not the cheapest route - better put, the cheapest system that's right for our setup.

My original thought regarding a system such as this was:
PS1 w/Bass module for keyboard/acoustic guitar AND the lone vocal - shared (mixer needed?)
PS1 w/Bass module for Variax Guitar/Vocal
PS1 w/Bass module for Drums (mixer needed?)

I would think it would be best to have the Bass guitar running through one, too?
Should the drummer have a double Bass module?
Does the guitar #1 NEED a bass module?
Should the vocalist #2 have her own system since she is leading when she's there?

From what I understand, there would be no need for additional monitoring on stage, correct?

Now that I've shared MY thoughts, what is YOUR PROFESSIONAL opinion?

L1® Model I

T1 ToneMatch® audio engine

quote:

4 piece band, 2-L1, Model 1 (1 B1 each) 3 vocals & 1 Acoustic Guitar to Tonematch,
Tonematch out to Ch 3 on L1-R
2 mic'd Guitar Amps, Kick, Overhead & 1 keyboard to mixer and hard panned L to Ch 1 on L1-L,
& Panned R to Ch1 on L1-R. Bass to Bass POD direct to Ch 4 on L1-R. Would like to use remote
for master on both L1 & L2 and Tonematch volume for Ch 3 only on L1-R

L1® Model I

quote:

4 piece band, 2-L1, Model 1 (1 B1 each) 3 vocals & 1 Acoustic Guitar to Tonematch,
Tonematch out to Ch 3 on L1-R
2 mic'd Guitar Amps, Kick, Overhead & 1 keyboard to mixer and hard panned L to Ch 1 on L1-L,
& Panned R to Ch1 on L1-R. Bass to Bass POD direct to Ch 4 on L1-R. Would like to use remote
for master on both L1 & L2 and Tonematch volume for Ch 3 only on L1-R

L1® Model I

quote:

Band: Opeus
Mixer runs L and R, with vocals only. singer 1 mostly heard through tower 1, singer 3 mostly heard through tower 2, singer 2 heard equally through both.

L1® Model I

quote:

Kick drum goes into Ch1 on the L1. preset 70 (D112 mic)
-One guitar has a 57. other is direct out. both go into powered mixer
-4 vocals, 2 guitars, and sampler go into a powered mixer; Main out to Ch 3., power out to floor monitors
-(Bass not sent through PA)

L1® Model I

quote:

Updated notes from Dan K.

The guitar on the right is out. There are two keyboards. T5 changed to an Anderson Crowdster (not that it matters). Otherwise, it is representaive of the current setup. Just add an L1 and one bass module on the right side.



Notes:

1. The Taylor T5 will not use a separate amp; rather, it will do direct into the Bose Classic.

2. The bass amp will have a direct out to the FOH speakers.

3. The second guitar (Fender) has a direct out for the FOH.

4. The lead vocalist/conga player will have a stand mounted Mackie SRM150.

5. There will be two floor wedges for the rest of the band; I, of course, will not need a monitor, as I'm the one with the Bose Classic!

quote:

I'm researching what size Bose system I would need to support my blues band.
I usually have five pieces with the keyboard and ione guitar playing swapping out as needed.

I'm a harp player.