L1® Model II

T1 ToneMatch® audio engine

quote:

I'm researching what size Bose system I would need to support my blues band.
I usually have five pieces with the keyboard and ione guitar playing swapping out as needed.

I'm a harp player.

T1 ToneMatch® audio engine

quote:

I'm researching what size Bose system I would need to support my blues band.
I usually have five pieces with the keyboard and ione guitar playing swapping out as needed.

I'm a harp player.

L1® Model I

L1® Model II

T1 ToneMatch® audio engine

quote:

Hi,
I'm looking for some assistance in getting the most out of my band's two L1 systems. We currently run three vocalists to the Model II through a T1. Nothing else is connected to that system. We run the bass guitar, kick drum and snare drum to the Model I. We need to add one more vocalist and have no more available channels on the T1s. Should I use one of the available channels on the Model I as shown here (with the R1 to control volume), or is there a better way to accomplish what we need to do?
Thanks,
Bean

quote:

1&2 CMC64; 3 R84; 4 KM183; 5 R121; 6 NT1; 7 SM58; 8 R121; 9 KM183; 10 CO012; 11 D.I.; 12 SM57
13 uber57; 14 KSM44; 15 R84

quote:

1&2 CMC64; 3 R84; 4 KM183; 5 R121; 6 NT1; 7 SM58; 8 R121; 9 KM183; 10 CO012; 11 D.I.; 12 SM57
13 uber57; 14 KSM44; 15 R84

L1® Model II

T1 ToneMatch® audio engine

quote:

I want to run two LM1 mk11 stands two radio mikes and a cd player
I want Identical sound out of both. I have done it via auxillary out then analogue in to the second stand, but analogue and digital has a minor lag time. Ideally a splitter cable goinf from the tone match to both stands that would give me digital identical sound. is it possible.
Also if thats not able is it better to go out of master or auxillary thankyou

L1® Model I

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iCande is a 4 girl band that sings and dances. They do pop/dance style music.

L1® Model II

T1 ToneMatch® audio engine

quote:

L1 model II used as a choir monitor.

The L1s were angled as shown, facing the choir, not the congregation. One T1 was used feeding the two L1s an identical signal, one from the ToneMatch port, the othe rfrom the Master Out. Signal source was an aux bus from the church's main mixing console. The sound engineer fed the choir mics and the small band (not pictured, offstage to the left) to the L1 monitors.

The Sketcher doesn't have a representation of the mic used. They are the very thin type (about pencil diameter) with a bulb at the end for the mic capsule. These are the type usuallly flown in classical concert hall venues, though these were mounted on mic stands. The mics were about 6 feet high and angled down toward the choir. The mic capsule was just above the height of the L1.

L1® Model I

quote:

Worship Team: 30'x40' cathedral ceiling sancturary
All running thru Mackie 32 channel mixer:
#1 L1 is left channel from mixer #2 L1 is right channel - both connected to #1 inputs
1. Leader: Acoustic Taco 6-string wireless thru Line-6 pedal
+ male vocal thru Countryman headmic wireless
2. Female vocal SM58
3. Keyboard Yamaha S80 + SM58 male vocal
4. Bass wireless thru a pedal Line-6 Bass
5. Roland drum kit
6. Sax (tenor & soprano) & whistles (low + high) using AKG 1000S mics into 8-channel mixer/effects inserts(M350 + S100); main outs into snake to Mackie 2-channels.(me)

We have a B-52 Bass amp & two powered Mackie speakers mounted in rafters (currently disconnected)

L1® Model I

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Grupo poetas :

2 snare drums extra SM57 mic
Keyboards go direct line no amp. DI boxes.
Bass and Guitar amps :direct line.

L1® Model I

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Soukous stars with Papa LOUIS
May add keys
may add mbondas
bass and guitar amps: direct line.

L1® Model I

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Soukous stars with Papa LOUIS
May add keys
may add mbondas
bass and guitar amps: direct line.

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Jc 120 Guitar Amp.
Ampeg bass Amp.

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16 Pcs Monitor Speaker (6 for Muscician, 2 for Worship Leader, 8 for Singer Ensemble)
Every Muscian will have 1 (Song Book stand)
8 Pcs Standing Microphone for singer ensemble
1 Pcs Wireless Microphone for WORSHIP LEADER
1 Pcs Standing Microphone for Bass Player
DRUM must be Installed on DRUM STAGE and surronded by ARCYLIC CAGE

quote:

Gentlemen & Ladies, I co-ordinate and or manage a band comprising of the following:
1 nos lead guitar
3 nos keyboards
1 nos African talking drum
A set of drums
A set of conga
I nos Bass guitar
1 nos soprano sax
8 nos singers
6 nos wedge speakers

The down time in set up and "un-set up" of gear takes from 4 hours to eternity & oftentimes with the techies still running around sorting out one horrendous squeak or glitch during a meeting & distracting people. I stumbled on the Bose LI modell II with double bass with tone match (my preferred choice) & I believe solution has come. Please can someone advise and show, using the drawing stuff, what solution to deploy assuming I have absolutely nothing. Guys you will be saving a soul here.

quote:

Gentlemen & Ladies, I co-ordinate and or manage a band comprising of the following:
1 nos lead guitar
3 nos keyboards
1 nos African talking drum
A set of drums
A set of conga
I nos Bass guitar
1 nos soprano sax
8 nos singers
6 nos wedge speakers

The down time in set up and "un-set up" of gear takes from 4 hours to eternity & oftentimes with the techies still running around sorting out one horrendous squeak or glitch during a meeting & distracting people. I stumbled on the Bose LI modell II with double bass with tone match (my preferred choice) & I believe solution has come. Please can someone advise and show, using the drawing stuff, what solution to deploy assuming I have absolutely nothing. Guys you will be saving a soul here.