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Picture of el'häuser
Posted
el'häuser spielt mit folgendem setup:
tonematch1: vocal 1 / vocal 2/ akk guit / bass git
tonematch2: vocal 3 / vocal 4/ akk giut / cajon
jeweils mit master out der Tonematches in line in 3/4
wir nehmen das cajon von schräg hinten per akg mikro ab
(nicht im Schallloch!) haben aber noch immer keine optimalen ergebnisse
* welches Preset sollen wir wählen?
* wie ist die perfekte Mikrofonierung/Position
 
Posts: 5 | Location: Leutershausen, Germany | Registered: Thu July 30 2009Reply With QuoteEdit or Delete MessageAsk Bose for help
Picture of BlackForestMan
Posted Hide Post
Hallo el'häuser,

ich hatte auch schon probiert mein Cajon mit Mikro abzunehmen, war aber bisher noch nicht so recht damit zufrieden (was aber nicht a.d. T1 oder L1 lag).
Auszuprobieren wäre vielleicht die Einstellung "Kick Drum" bei Drehregler-Pos. "Comp/Gate", oder auch evtl. ein normales Noise-Gate. Beides sollte Rückkopplungen u./o. Fremdeinstreuungen von anderen Instrumenten reduzieren und höhere Mikro-Pegel ermöglichen.

Einig Anregungen zur Mikrofonierung, Position usw. habe ich bei cajon mikrofontest gefunden.

Gruss Wolfgang
 
Posts: 400 | Location: Freiburg, Germany | Registered: Fri March 04 2005Reply With QuoteEdit or Delete MessageAsk Bose for help
Picture of el'häuser
Posted Hide Post
Hallo Wolfgang, danke für die Antwort.Die Einstellung Kickdrum mit Comp.Gate haben wir bereits eingestellt. Der Cajon-Mikrofontest wird uns weiterhelfen.
Danke und gruss.Heinz
 
Posts: 5 | Location: Leutershausen, Germany | Registered: Thu July 30 2009Reply With QuoteEdit or Delete MessageAsk Bose for help
Picture of Wiek-at-Bose-Europe
Posted Hide Post
Hi Guys,

I do this in Englisch if you don't mind.(i'm a dutch guy. I read German but don't dare to write it.)
Try a normal Shure SM58. It is not that feedback sensitive. Put it in front of the hole (not in or just before...feedback is a problem then.) Then goto reverb type and put it on medium or long and put it on 100%. Then go to Reverb, choose the reverb and then the ammount of reverb between 10 and 25%. (geschmacks zagge (?)) The reverb makes the cajon sound deeper and it will have more body.

This is a studio mixing approach and work also for the L1 systems. Sometimes using reverb with the L1 system will sound a bit overdone on stage, but great for the audience. Try it for your self.

(Also works when you use it with a kick drum.)

It is a matter of experimenting.

Let me know what you think of it... (in German.)
 
Posts: 144 | Location: The Netherlands / Holland | Registered: Mon September 27 2004Reply With QuoteEdit or Delete MessageAsk Bose for help
Picture of el'häuser
Posted Hide Post
Hello Wiek, thank for your proposal. of course it's a matter of experience.... You mean that we should select as preset "Microphone shure sm 58" with standard equalisation plus reverb as explained??? we try it and give you information. Thanks a lot, Heinz.

 
Posts: 5 | Location: Leutershausen, Germany | Registered: Thu July 30 2009Reply With QuoteEdit or Delete MessageAsk Bose for help
Picture of Wiek-at-Bose-Europe
Posted Hide Post
Hi Heinz,

I mean to really use a SM58 mic. It is not that feedback sensitive.And also use its preset. Let me know what the outcome is...
 
Posts: 144 | Location: The Netherlands / Holland | Registered: Mon September 27 2004Reply With QuoteEdit or Delete MessageAsk Bose for help
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