Hi again !

Got to say that the Tonematch was great for that gig. I had everything pre-programmed (a new "Scene") into it, the night before the gig. Did this with the T1 on my lap, while watching TV. Previously I had messed around with the Bose system in my garage and worked out what T1 settings suited me for each mic/instrument and wrote all the parameters down, to program in, into a "Scene" later.

All I needed to do at the gig was load everything on the stage, plug everything in, set up the 3 mics, tune up 4 guitars, check out the level for the piano through the Aux input of the L1 base and get the levels matched. Didn't really need to adjust the T1 after that - other than to switch off the effects (as the room was too reverby as it was). All this took me about 50 mins. Tuning up 4 guitars probably took half the time ! Will be able to shorten that time the more I use my Bose system.

What was really cool+handy was that as I swapped around between one electric and three acoustic reso guitars and a piano, all I needed to do was mute appropriate channels I didn't want on. This is so easy with the EASILY located+accessible "Channel Mute" buttons.

No stress involved in all the changes. In my 50 minute set, I rarely played the same instrument two songs in a row - I kept swapping things around. I like to give a varied set. Sometimes I needed my waist-height condensor mic on for my reso guitars and the channel for their guitar pickups, other times I wanted them off.
Sometimes over on the piano.

Had my condensor mic on Ch2 and reso pickup on Ch4. My mic'd up Fender amp was on Ch3.
I'm gonna swap what I had in what channels so that I either need Ch2 for e.guitar or Ch3+4 (ie. adjacent channels) for reso guitar (condensor+pickup).

Great !

-- snakehips --
full thread here